für bildende Kunst
Exhibition: Licht Luft Scheiße. Perspectives on Ecology and Modernity (BGBM)Friday, 16 August 2019 — Sunday, 27 October 2019
Open: Daily: 09:-19:00
Entry: 2,50€ /Red.: 1,50€
Organized by: Botanischer Garten und Botanisches Museum der Freien Universität Berlin (BGBM), Martin-Elsaesser-Stiftung, Nachbarschaftsakademie im Prinzessinnengarten Kreuzberg, neue Gesellschaft für bildende Kunst (nGbK)
Installations by contemporary artists who examine scientific methods and aesthetics in light of resources, biodiversity and waste products are on show at the Botanical Museum Berlin. Some of the works were produced specifically for this project.
Under the title »Plant Workshop of Modernity«, one section of the exhibition takes up the early- twentieth-century diversification of botanical research by likewise venturing into physiology, genetics and soil science. This raises the question of whether, or to what extent, Modernism’s functionalist, reformist and utopian currents influenced such discourses, and vice versa.
Participants: Book & Hedén, Böhler & Orendt, Katja Kaiser, Susanne Kriemann, Katarzyna Kukuła, Helen Mayer Harrison & Newton Harrison, Kim Nekarda, New Territories_S/he (with Mika Tamori & Štěpán Krahulec, Max Unterfrauner, Helvijs Savickis), Patricia Piccinini, Gitte Villesen
Historical Protagonists: Hugo Conwentz, August Engelhardt, Adolf Engler, Gottlieb Haberlandt, Moritz Meurer, Rudolf Steiner
Curators: Sandra Bartoli, Kathrin Grotz, Silvan Linden, Patricia Rahemipour, Florian Wüst
Exhibition architecture: Büros für Konstruktivismus (Sandra Bartoli, Silvan Linden)
Graphic design: State – Design Consultancy
Exhibition coordination: Julia Herfurth
Other project venues:
> Nachbarschaftsakademie im Prinzessinnengarten Kreuzberg
> neue Gesellschaft für bildende Kunst
»Licht Luft Scheiße [Light Air Shit]. Perspectives on Ecology and Modernity« proposes a diverse series of twentieth-century concepts and practices that resonate with our current ideas of sustainability. They are both historical references and points of departure for novel or updated reflections on alternative ways of living in the globalised world. In light of the on-going destruction of Planet Earth we must fundamentally rethink our relationship to the biosphere and all non-human beings.
The ecological question is nothing new. In response to industrial growth and sprawling urbanisation under capitalism, numerous ›reform movements‹ were launched over a hundred years ago: from cooperative housing associations to anarcho-syndicalist settlements, from self-sufficient urban gardening to ecological agriculture, to concepts for recycling waste. These innovations were based in part on pre-modern knowledge and their significance came more clearly to the fore during the economic and social crises that followed on the First World War. They mirror not only a systematic appreciation of the interplay of human beings and the environment, of nature and technology, but also people’s growing awareness at the time, of the fact that the modern age carries within it the seeds of its own destruction. Too, the Bauhaus, although its architectural programme was far removed from ecological concerns, remained intently preoccupied with the relation of bio-philosophy to functionalism, pursuing a design practice informed by natural structures and processes.
The project’s two-year research phase culminates now in two exhibitions combining contemporary art production and archive material, and a parallel independent programme of education and outreach. These three aspects of the project, along with a number of complementary events and publications, address the past and present of the ecology movement, socio-ecological urban development, garden culture and plant and soil research.
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The project is a joint production of: Botanischer Garten und Botanisches Museum der Freien Universität Berlin (BGBM), Martin-Elsaesser-Stiftung, Nachbarschaftsakademie im Prinzessinnengarten Kreuzberg and neue Gesellschaft für bildende Kunst (nGbK).
Artistic directors: Sandra Bartoli, Marco Clausen, Silvan Linden, Åsa Sonjasdotter, Florian Wüst (nGbK project group) Kathrin Grotz, Patricia Rahemipour (BGBM)
Funded by the Bauhaus heute Fund of the German Federal Cultural Foundation